Performing and visual arts

Public studio-opening events

An open studio invites the public into a working space, and the artist decides what may be seen and recorded.

Short answer

Photograph the visitor event and the artists as they choose to be shown. A studio is a private workspace opened for a day, so entry does not give permission to photograph every piece, sketch or work in progress. Agree with each artist what may appear, and treat any catalogue of their work as a separate job.

A studio opening lets visitors see where art is made. Artists tidy their space, show finished work, talk about process and sometimes sell. The event is warm and informal, and the space is private for the rest of the year.

This page belongs to our guide to performing and visual-arts event photography.

What is the event, and what is the artist's space?

The visitor event is the open day: people arriving, looking, talking and buying. The artist's space is a working studio, with tools, unfinished pieces and personal items. Being invited in for a day does not make everything in it available for publication.

The artist decides. Some will welcome images of the whole studio. Others will want only finished work shown, or a particular corner. Ask each, and respect the answer.

What can the photographer record?

The artists at work or in conversation, the visitors, the space as the artist presents it, and finished works in the room as part of the scene. These images suit a local newsletter, a social post or a report to a funder.

What is not covered?

Works in progress, unreleased pieces and private materials, unless the artist agrees. Also not covered is an accurate catalogue of the artist's work. That needs controlled light and a calm room, and rights in the works belong to the artist or another rights holder, depending on contracts. Malaysian copyright law is in the Copyright Act 1987, and how it applies to your images is a question for a qualified adviser. Keep the law, the artist's wishes and the venue's rules apart.

Our guide to copyright ownership and permission to use event photographs lists questions to ask. See also exhibition photographs showing copyrighted or restricted artworks.

How do we plan for small spaces?

Studios are small, and a photographer can crowd visitors. Plan short visits, wide frames from the doorway and details taken when the space is quiet. Small spaces and ambitious group photographs explains the limits of tight rooms.

Our venue photography checklist helps you ask about layout, light and access for each studio.

A hypothetical example

For example, a building holds a one-day open studio with six artists on two floors, from 11am to 6pm. Two artists agree to photographs of the whole studio. Three agree to finished work only. One prefers no photographs inside.

A plan could be a timed route with 30 to 40 minutes at each agreeing studio, with the artists briefed on what the photographer will do. Entrance, corridor and visitors on the stairs are covered, and the sixth studio is photographed from outside the door only.

Visitors and notices

Visitors do not expect to be photographed in a studio. A notice at each door, written with our guest photography communication builder, tells them. Close images of identifiable visitors for publicity need agreement.

If the open studio is part of a larger programme, see gallery openings and art-exhibition previews and artist talks within exhibition programmes for related planning.

What to tell the photographer

Send the list of studios, hours, the artists' names with spellings and what each allows. Share the building rules. Say who approves images and where they will be used.

How does this affect the booking?

Coverage hours follow the open hours and the number of studios. A catalogue shoot adds separate time. We confirm date, venue, crew and deliverables in writing when we confirm the booking. For general price factors, see how photography pricing and scope work.

Questions to settle

Who tells artists what to expect? Can artists review images? Are sales part of the story? What happens to images of someone who later asks for removal?

Settling these lets the photographer be a quiet guest in each studio.

A note on weather and access

Open studios often depend on stairs, lifts and shared corridors, and busy afternoons can slow movement between floors. Ask the organiser about lift access and any one-way routes, and add a little travel time to the route. If a studio is outside the main building, note whether rain would change visitor numbers or the way the artist presents the space.

Checklist

  • List the studios, artists and open hours.
  • Ask each artist what may be photographed.
  • Mark works in progress or unreleased work that must stay out.
  • Decide whether visitors may appear in images.
  • Agree a notice at each studio.
  • Plan a route and time at each studio.
  • Decide whether a separate catalogue shoot is needed.

Tell us the studios, the artists, the hours and what each artist allows, and we will confirm date, crew and deliverables in writing.

Plan our open studio coverage

Common questions

Can the photographer photograph everything inside the studio?

No. Each artist decides what may be photographed. Works in progress, unreleased pieces and personal materials may be off limits. Ask each artist, and write it down.

Can we photograph the artworks for a catalogue at the same time?

Catalogue images need controlled light and a calm room, which an open day does not offer. Treat it as a separate commission, and agree the rights with each artist.

How do we handle visitors in small spaces?

Studios are often small. A photographer can take up room that visitors need. Plan short visits, wide frames from the door and quiet moments for details.

What if several studios are open on the same day?

Share the list and the hours. One photographer follows a timed route, and a second may be useful if studios are far apart. Rank them first.

Sources checked

  1. Copyright Act 1987 (Act 332), Malaysia, WIPO Lex (2026-10)

Plan our open studio coverage

Tell us the studios, the artists, the hours and what each artist allows, and we will confirm date, crew and deliverables in writing.

What happens next: You send your event details on WhatsApp. Our team reads the brief, asks what is missing, then confirms in writing whether the date, venue and coverage can be booked, with a quotation. Opening WhatsApp does not send anything, and a message is not a booking until both sides confirm.

Last reviewed:

WhatsApp us